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different types of movements

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The classical Indian dance, Kathak, is known for its intricate footwork and spins, its expressive performance style (TimeOut, n.d.). The dance form does not restrict dancers from having their own personal touch. They are allowed to change the steps and style to better suit their own skill sets (Your Home Teacher, 2016). Kathak is performed as a dance composition, a short dance composition is called Tukra while a long composition is called Toda (Your Home Teacher, 2016).

 

Today, we will be touching on three main elements of dancing Kathak – Rasas, Mudras and Tatkar, the main sections of a repertoire – Nritta and Nritya and the structure of a Kathak performance!

rasas

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Rasa is a concept in classical dance where the performer can evoke emotions in the audiences through the dance movements (Naatyagruha, n.d.). There are nine types of rasas known in the Indian classical dance. They are portrayed through eye and face gestures, body movements and muscle shifts (Naatyagruha, n.d.). There are also different deities and colours used to attribute to each rasa. The nine rasas are: Hasya (humour), Raudra (anger), Bibhatsa (disgust), Bhayanaka (fear), Shringara (delight), Veera (heroic), Karuna (pity, sorrow), Adbhuta (wonder) and Shanta (serenity) (Naatyagruha, n.d.). Shringara, Raudra, Veera and Bibhatsa are known to be the primary rasas whereas other five rasas are originated from them (Naatyagruha, n.d.). More often than not, people think that each of these rasas can be separated. However, in a performance, all these rasas will overlap one another and interlink, creating a artpiece that is able to touch the audience hearts (Naatyagruha, n.d.).

Let's try to learn some of the hand gestures! (hand mudras)

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Time for a dance-off! Try the quiz to see how much of the Kathak movements you know!

References

Charka, S. N. [ExpertVillage Leaf Group]. (2008, September 7). Kathak Dance : History of Kathak Dance [Video]. Youtube.

https://www.youtube.com/watch?v=fNLxEiSNI8g&feature=emb_logo

CulturalIndia. (n.d.). Kathak. https://www.culturalindia.net/indian-dance/classical/kathak.html

Indian Classical Dances Project. (2015). Kathak. https://indianclassicaldancesproject2015.weebly.com/kathak.html

Das, P. (2011, November 13). Telling kathak stories. India Currents. https://indiacurrents.com/telling-kathak-stories/

Ghuge, A. (2018, August 22). Mudras used in kathak while dancing and its meaning.

https://anushkaghuge.home.blog/2018/08/22/mudras-used-in-kathak-while-dancing-and-its-meaning/

InSync. (n.d.). Kathak through the ages. http://insynckathak.weebly.com/kathak-history.html

Jacolbe, J. (2019, September 3). Indian Classical Dance and the Power of “Oneness”. JSTOR. https://daily.jstor.org/indian-

classical-dance-and-the-power-of-oneness/

Naatyagruha. (n.d.). The Navrasas and their importance in Indian Classical dances. http://www.naatyagruha.com/blog/the-

navrasas-and-their-importance-in-indian-classical-dances/

National Heritage Board. (2019, March). Indian Dance Forms. Roots. https://www.roots.gov.sg/ich-landing/ich/indian-dance-

forms

The British Library Board. (n.d.). Quick guide to the Ramayana.

https://www.bl.uk/onlinegallery/whatson/exhibitions/ramayana/guide.html

TimeOut. (n.d.). Expressions of kathak. https://www.timeout.com/singapore/dance/expressions-of-kathak

Utpalasia. (2009, November 2). What is tatkar?. https://utpalasia.org/2009/11/02/what-is-tatkar/

Your Home Teacher. (2016, May 20). Kathak. https://whatistheurl.com/kathak-4-lines-short-essay-brief-essay/

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